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20100406-930 Cisneros and Anzaldúa (Group 2)

Page history last edited by Dean McCombs 14 years ago

Summary

Beginning in the 1970s is a period Dr. Croxall has nicknamed "postmodern multiculturalism," which recognizes previously under-represented groups such as women, Latin-Americans, and Asian-Americans.  "Postmodern multiculturalism" has two main focuses: a wider group of authors/experiences and the re-telling of well-known stories. Postmodern multiculturalism also incorporates aspects of regionalism. We also discussed the idea of America as a "melting pot", describing how a heterogeneous society becomes homogeneous, which is how we become "American." This relates to the Latin term E Pluribus Unum, or "out of many, one."  Additionally, "postmodern multiculturalism" is a moving away from the idea that everyone is the same, and instead differences and individuality are explored.

 

Author Gloria Anzaldua looks at problems associated with languages barriers in "How to Tame a Wild Tongue."  She discusses issues faced by Chicanas and how their language is despised, leading them to speak English among themselves and other Latinas. She uses a concept known as "code-switching" in order to switch back and forth between both Spanish and English. She does this in order to relate and identify with many different groups.

 

In Anzaldua's "La conciencia de la mestiza/Towards a New Consciousness," Anzaldua freely melds English and Spanish together, without any translations, representing what is known as "Spanglish". She advocates the birth of a new "hybrid" race, which is emerging due to the mixing of races. Additionally, Anzaldua states that the path to creating this hybrid culture is not violent, but rather baby steps toward neutral ground. We discussed binaries, which are seen in this case as opposing cultures. Part of the "new consciousness" would be compromise between "the oppressor and oppressed". 

 

Word Count: 269

 

Passages

 “We’re going to have to control your tongue,’ the dentist says, pulling out all the metal from my mouth.”

-We discussed that in this line, Anzaldua is tackling the issue of "Spanglish" that is predominant within her culture. She is writing this to bring the issues associated with language barriers to the forefront. The Chicana form of Spanish arose due to necessity, but is looked down upon in the Spanish speaking community. 

"At the confluence of two or more genetic streams, with chromosomes constantly "crossing over," this mixture of races, rather than resulting in an inferior being, provides hybrid progeny, a mutual, more malleable species with a rich gene pool."

-This quote explains the new hybrid generation Anzadula predicts.  She explains the a mixture of genes and races would actually create a better people, rather than how society would view it: inferior or lesser in some sense.   

 

 

 

Key Terms

Post modernism: skepticism toward meta narrative, post-structural, emphasis on narrative structure, irony, experimentalist, pastiche

Chicanas: a group of people who live on the borders of the United States and Mexico, part of the lower class, a derogatory/negative term that indicates ethnicity, class, geographical location

Mestiza: someone of mixed race who typically had Indian blood.

Binary- Relating to, composed of, or involving two things; (ex. on/off, up/down, etc.)

 

Comments (1)

Brian Croxall said

at 12:20 pm on Apr 21, 2010

Our class on Anzaldua was full of a lot of different material. You wisely discuss the concept of postmodern multiculturalism (PM MC) for a bit, but put most of your focus on the author in question. It's worth noting for the former that the idea of the melting pot is what PM MC is working to get away from; it's a metanarrative that, along with many others, appears to be ready for deconstruction in the moment of postmodernism. "E Pluribus Unum" is therefore a representation of that metanarrative. For the discussion of Anzaldua, it's important to recognize that her code-switching is used to identify with groups (as you say) but that it's also a way of pointing out that we are markedly not part of that group to which she belongs. She is making visible the Chicana/mestiza culture that has gone unnoticed to this point. For the hybrid culture, it's not so much that there will be a compromise between oppressor and oppressed so much as it wants to avoid the whole binary structure. It walks away from this moment because the mestiza can recognize plurality as a valuable way of life.

I was surprised that none of the passages you chose actually incorporate code-switching. For the second passage, it's worth distinguishing that Anzaldua is not making an argument so much about race as she is about hybridity of culture and experience as what will be valuable.

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